Refine Spray Technique and Prevent Runs

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9:06

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How to Spray a Fully Wrapped Window with an Airless Sprayer | Pro Tips for Perfect Results

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What happens here

The presenter summarizes and reinforces the critical aspects of his controlled spraying technique for full-wrap windows. He emphasizes the 'wet-on-wet' application, ensuring that fresh paint is applied onto previously sprayed, still-wet areas. This is achieved by systematically spraying the exterior edge first (top-to-bottom or side-to-side), then coming back to spray the face of the trim, and finally hitting the angled inside edge. The key is to avoid double-overlapping areas during these passes, which can lead to excessive paint build-up and runs. He explicitly states that releasing the trigger during a pass causes 'spits' and should be avoided; instead, the trigger should be engaged continuously until the end of the pass or when moving off the surface. For areas that might be slightly lighter after the initial pass, a quick, light additional pass can be made to ensure full saturation and proper leveling without causing runs. This technique aims for minimal overlaps and no runs, a result of careful planning and controlled application.

Goal: The presenter reiterates the overall technique for a full-wrap window, focusing on precise spray patterns, avoiding overlaps, and ensuring continuous trigger engagement to eliminate runs and achieve a smooth, professional finish.

Tools and materials

Paint sprayer

What they say

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with this window. Typically when I'm spraying, I want everything, you know, out of the way and um so I can walk freely, whether I'm doing baseboards, whether I'm spraying ceilings, whatever I'm doing. So here's going to be I'm going to hit my side once again. Hit my sides, hit my top. So top's probably, you know, the first thing to hit. Now, so I want to work fairly quick. If I just hit the top and I come down and I start popping at somebody, you know, the when I shooting down, the mist or overspray that comes down here could start to dry and you could cause like, you know, rough spots. You want this whole thing to be wet with paint and gel out, you know, and not have any flashing or rough spots. So I'm going to work, you know, fairly quickly. So, you know, I I can reach across the entire window from here to here. I can I already see like once again, it might be easier to have a 6-in extension, but here we go. We just do it without cuz some people um haven't seen me, you know, not use an extension um and some people don't have access to them, but I use them quite often. So, here we go. So, that's my top. So, now I don't need my ladder. Just going to get out of the way. Going to do my two my sides. Just a nice even steady pace. There's my sides. Now I'm going to come my face Now I got to hit the window. I brought my masking out. I come off and I don't have a spit. Bottom face edge. Fill still again face right there. That's how I shoot a photograph window. Now I'm looking at it and it, you know, if I see anything, this one corner right there is a little bit light cuz it's hard to spam that gap right there. I can hit it. I look at it. Does it look like it's saturated? Does it look like I hit everything? It looks pretty dang good. Once you adopt a system like that, you know, if you don't get any runs, then you'll just replicate that system. Once again, this is what I came up with. You know, I tried multiple systems and I'd get runs here or runs there. I'm like, okay, I got to eliminate that run. How do I eliminate it? And eventually, this pattern on a full wrap window is how I, you know, learned how to, you know, do a full wrap window with the least amount of overlaps and actually no runs. cuz I believe that's going to hang and um look pretty dang good.

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